蕭世瓊 B, 1959 出生於嘉義布袋
學歷:
嘉義師專
台灣師大國文研究所碩士
逢甲大學中文研究所博士
字玖盦，號路遙，又號蕭郎。
現任逢甲大學通識教育中心副教授、日知書學會會長。曾任台中一中國文教師、亞洲大學通識教育中心副教授。
書法作品曾獲台灣省美展書法第一名三次及永久免審查作家、吳三連獎、中山文藝獎。擔任大墩獎評審委員、籌備委員、全國美展書法類評審委員、南瀛獎書法篆刻類評審委員。
XIAO, SHI-QIONG
1959 Born in Budai, Chiayi.
Education:
Taiwan Provincial Chiayi Normal School.
Master, Graduate Institute of Chinese, National Taiwan Normal University.
Doctor, Graduate Institute of Chinese Literature, Feng Chia University.
His courtesy name is Jiu-An, and his pseudonyms are Lu-Yao and Xiao-Lang.
Currently, he serves as an Associate Professor of General Education Center of Feng Chia University, and the Chairperson of Rizhishu Society. He once served as a teacher of Chinese Language at Taichung Municipal Taichung First Senior High School, and an Associate Professor of General Education Center of Asia University.
His Chinese calligraphy works have received the first place for 3 times at Chinese Calligraphy Group of Taiwan Provincial Art Exhibition, and then became a Chinese calligrapher whose works are not subject to review. His works also won Wu San-Lian Culture and Art Award, and Sun Yat-sen Literature and Art Award. He once served as a Review Committee member and a Preparatory Committee member of Dadun Award, a Review Committee member of Chinese Calligraphy Category of National Art Exhibition, a Review Committee member of Chinese Calligraphy and Seal Carving Category of Nanying Award.
圖說：
追求寫生活的藝術，書法走入楠西梅峰古道中。書風的時代性極為重要，此作便以古典主義的現代書法傳達其理念，將古道的韻味帶入作品裡。
賞析：
以隸書的筆調書寫現代具時代性的創作，適時帶入漢簡筆意，使書法有更多元的風貌呈現。可愛古拙的風格，點線聚散之中經營有如畫境般美感。
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<蕭世瓊書法作品-楠西(梅嶺)>
Description:
In order to pursue the art of writing life, the Chinese calligrapher brings Chinese calligraphy to Meifeng Historical Trail in Nanxi District. The epoch of the Chinese calligraphic style is extremely vital. This work uses the concept of the classicism-based modern Chinese calligraphy to transmit this ideal and is added with the lasting charm of the historical trail.
Appreciation:
This work is written in clerical script. Although the composition of this work is traditional, the style of the characters is in a contemporary sense. The words have timely brought in the brush strokes seen in Han Dynasty’s bamboo slips, giving more diverse appearance to Chinese calligraphy. The work is in lovely, ancient and quaint style. The convergence and scattering of points and lines are appropriately planned, presenting the same aesthetic sense as in a painting.
Translation: Lush trees swaying in Meiling, the quaintness of historical trail runs deep.
Identification: Summer of Jihai year (2019). Written by Lu-Yao, Xiao Shi-Qiong.
Artist’s seal: Lotus in water. No fear and worry. XIAO, SHI-QIONG. Jiu-An.